About Persona
Persona is the first collaboration between Bergman and his eventual long-term collaborator Liv Ullman. Ullman is Elisabet, who, after losing her ability to speak, is looked after by Alma (a transcendent Bibi Andersson) in a remote beach house. Over the next several weeks, as Alma struggles to reach her mute patient, the two women find themselves experiencing a strange emotional convergence. Visually, the film is equally stark and stunning, and Bergman, Ullman, and Andersson produce a penetrating existential look into subjectivity and psychosis. [83 min; drama, thriller; Swedish with English subtitles]
"Persona still conveys a power to lift the scalp and scramble the brain, and the fact that it's out-of-time says less about it being dated than it does about it remaining a radically visionary work." — Geoff Pevere, The Globe and Mail (Toronto)
"One of the screen's supreme works and perhaps Ingmar Bergman's finest film, Persona is also his most radical in form and technique." — Michael Wilmington, Chicago Tribune
"Persona is a film we return to over the years, for the beauty of its images and because we hope to understand its mysteries." — Roger Ebert, Chicago Sun-Times
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